The other day, I wrote about guilt-free enjoyment of movies. I would add another movie to that list: Dunkirk. I usually don't enjoy war movies because they glorify war, and are focused on the heroics of a single or a handful of larger-than-life characters, usually great-looking white men. So, Dunkirk, with its nameless, ordinary-looking characters and its harrowing depiction of war was a pleasant surprise. But, those were not the only good things about the film--it was just a bloody well-made movie on every score which had me in goosebumps through most of it. The arresting cinematography, pacy plot, hyper-realistic sound effects, evocative music score all took my breath away.
Dunkirk was later criticized for ignoring Indian soldiers who were also stranded there and was seen as another example of empire amnesia. A few days ago, I read another piece which said Dunkirk reinforced the sense of British exceptionalism that is said have contributed to the Brexit vote. Both charges might be true, but I still think it is a great movie. I do believe that every movie is political, and that a movie and movie-maker's politics are fair game for scrutiny. But, there is the danger of going overboard. A movie-maker, beyond a point, can't control what her viewer takes away from it. So, a British exceptionalist might well get the message that the British are a divinely blessed people with unnatural levels of fortitude who don't need Europe. A left-leaning person might see Dunkirk as an example of working-class solidarity: regular folk putting their lives at risk to help other regular folk forsaken by their government.
Speaking of working-class solidarity, one movie that didn't leave any scope for guilt was Pride, which is about solidarity between the LGBT movement and striking miners in the 1980s. It is one of the most uplifting movies I have ever seen, the rare explicitly political movie that leaves you feeling good and hopeful about the world and humanity.
I meant this post to be about movies that you grow out of, but I will save that for another post.
Dunkirk was later criticized for ignoring Indian soldiers who were also stranded there and was seen as another example of empire amnesia. A few days ago, I read another piece which said Dunkirk reinforced the sense of British exceptionalism that is said have contributed to the Brexit vote. Both charges might be true, but I still think it is a great movie. I do believe that every movie is political, and that a movie and movie-maker's politics are fair game for scrutiny. But, there is the danger of going overboard. A movie-maker, beyond a point, can't control what her viewer takes away from it. So, a British exceptionalist might well get the message that the British are a divinely blessed people with unnatural levels of fortitude who don't need Europe. A left-leaning person might see Dunkirk as an example of working-class solidarity: regular folk putting their lives at risk to help other regular folk forsaken by their government.
Speaking of working-class solidarity, one movie that didn't leave any scope for guilt was Pride, which is about solidarity between the LGBT movement and striking miners in the 1980s. It is one of the most uplifting movies I have ever seen, the rare explicitly political movie that leaves you feeling good and hopeful about the world and humanity.
I meant this post to be about movies that you grow out of, but I will save that for another post.