Saturday, May 9, 2009

finding stories

Having spent the good part of three months as a cub reporter floundering in the impenetrable waters of business journalism, I can safely say that there is no consensus even among the stalwarts on how one must go about chasing stories.

Until now most tradesmen have told me that the only way to find stories is by talking to people, and that’s an advice I have taken to heart. Not that it has done me much good. Most people I met in the course of following this advice had an air of studied tolerance while talking to me, as though I were a tiresome child that must be indulged.

In such cases, although one realizes there is no chance of getting a story, one is obliged to carry on a conversation for at least half an hour. One can’t show up for a ‘relationship-building interaction’ (code for ‘I have no idea what questions to ask you but want to meet you in the hope that you will blurt out your bank’s dirty little secrets) and push off after five minutes no matter how laboured  the conversation is. For there are two battles to be fought when meeting people and at least one must be won. One is to find a story, and that’s a battle I have been consistently losing. The other is to try not to look like a complete idiot by blacking out five minutes inside the meeting. So instead of concentrating on the spiel my interviewee is giving me, I must think of what I am going to ask him next. And maintaining a steady pipeline of questions is the most tiresome job, especially when you don’t give a damn about what the person sitting opposite is saying.

So I have learnt that one must have a story idea or at least a ghost of a story idea before fixing up a meeting. Of course, the one time I actually had an idea the person I was meeting completely blew me off. The bugger thought that I had traveled to the other end of the neighboring town just to present my calling card to him and gaze fondly at his mouse-like face broken by looping untrimmed whiskers, sitting atop a shrunken shriveled frame. I clearly remember what he said—“I thought you just wanted to meet me. I didn’t know you were going to ask me questions about my business.” Of course.

So far, so bad. But I thought this is the only way to go about finding stories—at least on paper. So I was in for a shock during the weekly editorial meeting. The higher-up presiding over the meeting had already pummeled me a little for not enough about what was happening on my beat when he asked me how I went about hunting for stories. “By meeting people,” I replied confidently—at least I knew the answer to this one. “That’s not how one goes about finding stories,” thundered the higher-up. “You should follow up on current developments.”

I glared accusingly at the people sitting at the table who had advised me thus. But they continued to stare ahead with glassy expressions on their faces.

Apparently there is a third slightly more extreme approach. I was grumbling to a colleague about how difficult it was to get any kind of information from foreign banks. He told me to just write to them saying I had learnt that their bank was about to collapse or something to that effect and would they like to comment, failing which I would run the story anyway. “You will hear from them within the hour,” he assured me.

I don’t know which of the above approaches will work for me. It is possible that there is no concrete formula for seeking out stories—maybe it is just a matter of luck, persistence and streetsmartness. Only time and a few by-lines will tell.

 

musical associations

I recently read a blog post about how certain songs reminded the author about certain people, which struck a cord with me. Now I am far from a music aficionado and my taste in music has never been considered hip—not when I was fifteen and not now. But I do associate certain songs or certain artists with certain periods in my life.

The farthest back that I can remember is when I was in fourth grade. Cable TV had just started making inroads into middle class drawing rooms and we didn’t use to watch that much TV those days. Friday nights were however reserved for a weekly countdown show called Philips Top 10, which featured the top 10 Bollywood songs playing that week. I don’t think the producers went through the trouble of conducting an audience poll—it was just a random assortment of songs that they thought were popular. Barring a few which went on to become classics, most of the songs are long-forgotten, as are the movies which they featured in.

Then in seventh grade I came across a really nice album, ‘Yaadein’ by an obscure artist called Saurav. The music was sad, romantic in an old-world way and even a little cheesy, but as a kid just entering his teens, I took to it like a cat to a bowl of milk. I had just discovered that thwarted love or love lost is a much more interesting theme than madly-in-love, and that preference holds to this day. Saurav was just one in that long list of pop-stars who take out an album and are never to be heard of again. That was before the days of Google, so if you wanted to track a public figure there was only so much you can do in the manner of an enquiry. I saved his cassette for quite a few years and listened to it intermittently until the tape began to squeak. It disappeared after I moved out of my parents’ home and went off to college.  

Directly after Saurav, there was briefly fascinated by a pretty ordinary band called Aqua. Ours is a generation which has n’t been raised on radio and our only window Western pop was MTV and Channel V. Foreign music videos had only just begun to enter the Indian market. Along with heavyweights such as Michael Jackson and Backstreet Boys, any average band from the West which cared to make India a part of its marketing strategy was embraced by Indian youngsters. Case in point--the thoroughly annoying song by Aqua “I am a Barbie girl” was a resounding success.

As my taste in music further evolved, I took to Boy zone and subsequently Ronan Keating with an unnatural fervour. How was I to know that most of their best songs were covers. And I thought it was wise of them to stick to covers instead of churning out drivel like Backstreet Boys.

“When you say nothing at all” was our anthem in the tenth grade and we sang it lustily whenever there was no authority within earshot.

In eleventh grade I discovered All India Radio FM service and that was also when a lot of private FM radio stations were launching. Eleventh and twelfth grade is a singularly boring period in one’s student life since it entails staying at home immersed in textbooks for long stretches. One isn’t jaded enough to realize that all that swotting is going to get one nowhere and one still listens to a parent’s entreaties to study. I have FM to thank for making those dreary days a little more bearable. I was also introduced to the Carpenters and my affair with them continues till this day. “Top of the World” is the song I usually belt out on the rare occasions that I am pressed to sing. That, and “Leaving on a Jet Plane” by John Denver.

When I left home and went to Pune to pursue a course in engineering, I was holed up in a depressing hostel building which was located at a sufficient distance from any place that a student would possibly be interested in going. My music collection consisted of a couple of CDs that I had hurriedly put together before going off to hostel. I listened to Jon Bon Jovi a lot in that year more out of compulsion than anything else. Thankfully Bon Jovi’s anthem--his shrill assertion that his life is in fact his life-- was not part of the CD. A friend presented me with a CD of John Denver since I had mentioned to him that I enjoyed country music, and I finally had music that I liked. I would lounge on my bed in my hostel, gazing out of the window at a wall of brown mountains in the distance and listen to Denver croon longingly about his picturesque little red-neck hometown.

If you have John Denver, Glen Campbell can’t be far away. I had heard his most famous “Rhinestone Cowboy” earlier, but I quickly learnt that that wasn’t his best song. I enjoy “Gently on my mind” more and I still listen to ‘True Grit’ when I need a pep talk. I also discovered Frank Sinatra and added ‘Strangers in the Night’ to the list of songs to be sung upon request.

In my final year of engineering college, I was hooked to Bob Dylan. My friend and I would pile into his beat-up  Jeep and go on long drives and, since neither of us are the chatty sorts, I would listen to Bob Dylan on my MP3 player. When I listen it to ‘Man of Constant Sorrow’ it reminds me of that year—drives on Pune’s pot-holed roads, loads of free time, the imminent end to engineering.

I know this has turned into a tedious account of the evolution of my taste in music which is still quite undiscerning. The point, however, is the power of association--these songs remind me of particular periods in my life. I don’t even have to dig out old tracks and play old tracks. I just need to hum a verse and the memories come flooding back. And I have always been a sucker for nostalgia. 

Sunday, March 22, 2009

Which is your stop, sir?

I think people traveling by Mumbai local trains should have destination tags taped to the front of their shirts. Just like at business events, where they name tags. Of course, that arrangement is not prefect either because the name of the person is printed in bigger letters than the name of the organization. So, if you are a journalist who is looking to save business cards and avoid unnecessary small talk, you are left with no choice but to squint at people’s breasts awkwardly until you decide whether its worth your while to introduce yourself.
But returning to the point, people traveling in local trains should wear destination tags. If you are one of the daredevil types that hang from the door, you are exempted. But if you are one who gets on the train at one of the earlier stops and manages bag a seat, it is mandatory. I shall explain why. Standing commuters who want a seat generally crowd around seated commuters, ready to pounce on the first seat that falls vacant. Of course, given Indians love for forming queues, there is a queue which you can’t jump. So the first in the queue usually stands between two rows of facing seats. Now if this person knew that all the seated commuters were getting off at the last stop he wouldn’t be standing there between the seats with an expectant hang-dog expression on his face. He would give up hopes of finding a seat and stand in a more comfortable position. And the seated commuters would be spared the pleasure of having his crotch and butt in their faces. It’s a win-win for all concerned.
Now we wouldn’t have needed this system that badly if the commuter traffic obeyed the laws. Let me explain. There is a law that holds that the 8:58 local to Thane will empty at a station called Ghatkopar and all standees will get a seat. But commuter traffic doesn’t play by the rules always. So once you have passed Ghatkopar and non of the seated guys have got up, you are just standing there looking pathetic and willing those bastards to get up. It is not just that you are tired and at the end of a hard day--It is also a question of dashed hopes and broken rules. You have come to expect something which you are summarily denied.
So the solution to all this is for commuters to wear destination tags. Whats the alternative—surveying the seated commuters to ascertain where they are getting off? That’s so lame. And also think of all the unnecessary conversation that entails. So, in the interests of overall efficiency and commuter satisfaction, I propose that all local train commuters should be made to wear destination tags.

pass the parcel

Sometimes I wonder whether I am plain unlucky in terms of social situations that I find myself in. I have been characterized as a social retard, social idiot and a sociopath by different people depending on how pissed they were with me after I had a committed yet another faux pas. In my assessment, I am a blessed with a combination of social awkwardness, revulsion for small talk and a monumental disinterest in the day-to-day lives of most of the people I chance to meet in the course of my work—all in equal measure. In a previous post I ahd pointed out the anomaly of my character make-up and the profession of my choice, journalism. So it is to be expected that when my profession and my personality rub shoulders, there are plenty sparks.
My boss was invited for a social do by this uppity foreign bank and since he was definitely not going to fritter away a Saturday night at a PR event of a company whose payrolls he doesn’t figure on, the invite fell in my lap. I find any form of interaction taxing and when it is a ‘social, interaction—bereft of any direct professional objective or gain—I am naturally at my worst. But since I am endowed with an eternal zest for self-improvement, I bit my lip and strode forth to the event which had promised a spoof of Hamlet on the invite.
The moment I stepped into the hall my worst fears were validated. There was not a soul I knew except the CEO of the bank who looked right through me. So I went to men’s room with the intention of taking as much time. I splashed my face with water, took an inordinately long time over my hair but and hung around for as long as I could before the others took me for a freak. If I had been the only inhabitant of the loo, I would have never come out.
On emerging from the john, I scanned the crowd looking for another person with a haversack or any bag. If you are trying to seek out a journalist, a haversack is a dead giveaway. Who else would come to a social evening with a haversack slung over the shoulder except someone who had come straight from work and didn’t have a car to leave his bag in? I finally spotted a youthful chap but it turned out that he was the bartender coming in for his shift. I didn’t know what to make of the gathering. There were kids, spouses, girlfriends and of course they all seemed to know each other. I felt like I had trespassed on to the bank’s “for the spouse, kids and girlfriend/boy friend” party. There were caricature artists, tarot card readers and some other such trade-peddlers scattered around the hall—a up-market fun-fair if ever there was one.
After a frantic consultation with a friend through text-SMS (it also makes u look busy) I caught hold of some of these suit-clad obsequious young men who were ushering guests in. I told them I was a journalist and would appreciate it if they could introduce me to their some of their guests. Poor bastard, I think he didn’t know what to make of me, so he introduced me to the next, suit-clad obsequious usherer he caught sight of. And so began the ridiculous exercise of pass-the-parcel. I was tossed about from on usherer to another, with the turn-over time becoming increasingly short over between each pass until I landed up with a gent who belonged to a property consultant. He quickly introduced me to another gent from his own company and it was become increasingly clear that I had become a pariah, to be dropped like a hot potato. This next gent didn’t bother to introduce me to anyone else, choosing to just bail out on me. At least that put an end to the pass-the parcel game. I sneaked off to the bar and asked the bartender to fix me up a large. My frazzled nerves needed to be steadied and I took up position in a cozy corner of the room and began ‘nursing my drink.
I was fast approaching the agreeable stage of happy-high when the communications head of the bank showed up. My pitiful, lonely state must have rended her heart and she was quite kind. She apologized for forgetting to tell me to get someone along and I brushed aside her apology—I was too buzzed to be affected by such minor problems as not having anyone to talk to. But she bustled off, promising to be back and sure enough, she cam back with a very agreeable senior bloke from the bank. We struck up a conversation and it was already the longest conversation I had had that evening when the communications lady appeared with two other girls—a girl from the PR agency that represents the bank and her friend. Their brief was surely to not let me out of sight in case I killed myself out of the grief of loneliness because they stuck to me doggedly despite my attempts to shake them off. It is not that I didn’t want their company—I was buzzed enough to start a conversation with a chimpanzee—I just didn’t want them to be there against their will.
But when the hall opened for the play and they followed me as I slunk away to the far side of the hall, I decided they were my companions fro the evening.
The ‘spoof’ of Hamlet was an out-and-out stand-up comedy routine obviously inspired by the ‘scary movie’ tri-quels. It was funny in parts but the humour was pedestrian and not clever at all. It had all the trappings of a contemporary—audience interactions, responding to the audience—but overall, it was a very ordinary affair.
The play was bearable but when they decided to reenact the whole play in fast-forward and backwards even the previously appreciative audience became restive. They finally rounded off the play after threatening to reenact it ‘sideways’ but the evening of fun was not over just yet. Every such event has to have a bubbly annoying emcee and this one was no different. She made one of the characters reenact one of the scenes and insisted on playing after him. On another occasion, I would have marveled at her chutzpah but it time was getting on, I was hungry and I had long journey home ahead of me. The event ended after they had made the men in the audience give their women roses and I rushed off to the buffet table. I was eating my meal doubly quick and was just about done with my first round when my two companions materialized out of nowhere. The either found me damn good company or their brief was to stick to me until I exited the premises. We made casual conversation until I withdrew, with the excuse that I had along way to travel.
So, there it is—my first social do made bearable my two large shots of rum, a kindly corporate communications lady and two determined PR girls.

Meeting people

This happened in Chennai during my journo school days. On a typical oppressively hot Chennai afternoon, a couple of us from ACJ bundled into an auto and headed to a coffee shop. Everyone was on a self-depreciatory trip and was trying to come up with reasons why he or should would never make a good journalist. There wasn’t much to chose between the contenders for the “worst aspiring journalist award until I waded into the contest. “The reason I won’t make a good journalist is because I don’t like people”. I had routed them, left them all speechless. They were forced to concede that my misanthropic proclivities couldn’t be overstated and that I, indeed, had the most unjournalist-like personality.
I have always hated small talk—not because I prefer to talk about heady, intellectual stuff but because I find small talk tiring. I envy people who can banter with a perfect stranger and have him/her eating out of his hands in under five minutes. People might describe me as being a tight ass or having a stiff upper lip depending on how blunt they are but, yes, I am an awkward conversationalist, not the shy, meek type just plain awkward. Now my Dad is all those things and I probably have him to blame for the way I am, but apparently, there is a crucial difference between us. He might not say much but is a good listener, which translates into he doesn’t look bored when people are talking to him, unlike me. It is all I can do to keep from yawning when I am having a perfectly random conversation with a stranger. I am not shy when it comes to going up to strangers—I just cannot be bothered.
Turns out there is hope for people like me even in the world of journalism—in a depressing, stifling place called the news desk. To be fair, I have worked only on one news desk which is also known to be structured differently to the rest. But that single experience ahs filled me with a life-long dread fro the place and sincere empathy for the people who work there.
I managed to free myself form the unforgiving confines of the desk and the struggle has been extensively chronicled on this blog and elsewhere. So, now I am a reporter with a different newspaper and a different city and I am forced to reckon with my misanthropic tendencies.
So what should a young man whose just starting out as a reporter do to enable him to further his prospects in this esteemed profession? Ask the old hands and they will invariably tell you, “Just, go meet people! Talk to people!”. They sound as though the only dilemma in my mind is whether to “ go out and talk to people” or not. Okay but what kind of people should I be meeting and talking to? “Everyone”. Like even the surly lift boy who hates stopping at our floor for some reason? I hate it when people talk about people as though it is a homogenous entity which can only be engaged on the group level.
Since the old hands have forgotten what they did when they were rookies, I am left to my own inferences. I decide that the people to meet at this stage are the corporate communication representatives of the various banks that I shall be tracking. The first bird I call sounds delighted that I am proposing to come and see him. Having been a journalist himself, he is still unused to being sought rather than being the seeker and revels in such small joys. After a tiresome two hours he thanks me profusely for coming and seeing him. I learn my first industry truth as a journalist. Not to expect anything from ex-journo corp comms because they are only in it for the ego trip.
My next interview is better, not least because the guy is a namesake, which instnaly puts us on an amicable terms. But the third and last one for the week is quite different. The guy knows nothing about his company and instead chooses to regale me with stories from his days as a journo. He also manages to smuggle in his views on the political situation in the country before we settle into a discussion about which newspaper is reporter-driven and which is desk-driven. And I am suddenly visited with a question—how is this meeting furthering my prospects as a journo? This guy is a person alright, so technically I am meeting ‘people’ but is anything going to come out of it?

Saturday, December 27, 2008

my ruined first-job story

Habits, bad or good, are not easy to kick but I recently managed to shrug off a particularly tiresome one. It was causing me a lot of distress and I had more or less surrendered my life to it. Plus, my near-and-dears were starting to get concerned about my mental well-being. So, all though it was a potential launching pad for a stellar career and the source of a meagre monthly income, I ditched my first job.
I'm aware that twenty years from now, if I were to achieve some modicum of success, I will not be able to tell an inspiring first-job story to youngsters starting out in the profession. I wont be able to speak of humble beginnings but limitless prospects, of a god-father who took me under his/her wing, of that insufferable, demanding boss who "nevertheless helped me become who I am today." Mine will be a story of humble beginnings and humble prospects, of stalwarts who had nothing more to offer me more than their sympathy, of a mentor who branded me as 'lazy' for life, of thwarted chances that were my doing and thwarted hopes that were someone else's doing.
For sure, I did learn quite a few things on the job. Prone to over-confidence, the clerical nature of my work took me down a peg or two. Before starting out I was afraid of ideological differences with the paper's editorial line. On the job, I learned that my superiors wouldn't have given two shits even if i were an undercover Naxalite.
But there were more enduring lessons. I learnt that intelligence is in the eye of the reader, that learning to cover your own tail is a praiseworthy goal, that unquestioned submission to authority is a virtue, and for there to be rockstars in your newsroom you also need sufficiently submisive underlings for them to beat up.
My first-job tale will be singularly unappetizing. But that's just something I will have to live with.

Saturday, May 31, 2008

yellowing pages

One week into a new city and a new job and you can be excused for feeling a little rudderless. ACJ already seems a distant memory although it has been less than a month since I graduated. And then there are even more distant memories- engineering college and junior college. Further back is school.So how does one continuously reorient oneself in the face of constantly changing circumstances? Is there anything to be gained from pondering over the change in one’s circumstances?
Technology today allows one to visit all these people and memories simultaneously. One is bombarded by recollections from different periods of one’s life. Looking back feels like sifting through an old dusty book in which every chapter is unlike the others. There are sad chapters interspersed with happy chapters and turning the leaf on a happy chapter is always painful. And one is always left wondering whether the last chapter will be the happiest in the book.
A recent happy chapter is visited again and again. Technology allows us to visit not-so-recent chapters frequently as the people who inhabit those pages are just an index finger-press away. But as the pages keep adding to the book revisiting long past chapters becomes more and more laborious. We bookmark some pages and people for quick reference and leave the others to yellow away peacefully. Technology has, in some senses, made human memory irrelevant. There are enough visual, audio aids to aid memory that it seems like one need not remember anything at all. One need just store in a flash drive or as a digital photo. Technology allows us to freeze moments of time for posterity. But, for all its glories, it cannot arrest the motion of relationships. It can freeze memories of a relationship but not the relationship itself. It can remind us of what certain people meant to us but cannot influence what they mean to us now. Relationships are fluid and certain people become less dear to us as time goes by. And it is this I fear. That I can’t freeze all the relationships from a recent happy period of my life. I must watch as people drift away from me, as they become less dear to me and me to them. I’m not worried about the bookmarks, or the main actors in my story. I am worried about the supporting actors who go a long way in defining a period of one’s life. I might think of them and imagine what their life is like right now. But, they will yellow away and every time I revisit them I will realize that they mean less and less to me. At such meetings pleasantries will be exchanged and good memories invoked. But conversation will dry up eventually, soon enough. And there is nothing I can do about it.